That Floating Poo Was Far Too Symbolic! It's the Television Disappointments of the Past Year.
Looking back, we reflect on the TV offerings of the past year, a handful of series emerge not for their excellence, but for their notable failures. Ranging from cringe-inducing spin-offs to bafflingly bad docuseries, here are the programmes that had us scratching our heads or simply reaching for the remote.
And Just Like That
How to start with this love/hate spin-off? Plagued with woeful scripts, cringe-inducing arcs (justice for Miranda!), and a mere 71 seconds of fan-favourite Samantha, the series struggled to find its footing. For a moment, as the final season started, it seemed as if it had finally hit its stride. Then came an installment centered on Seema’s natural deodorant. Little surprise the showrunner announced this would be the final season. It ended on a low point; the lingering shot of Miranda’s toilet full of poo was simply too symbolic. Still, fans undeniably found joy dissecting every single “what on earth?” moment. And as Carrie – once again single – danced around her sprawling townhouse to Barry White, who didn’t release a little sob?
The Kim Kardashian Drama
‘Is Kim Kardashian an actress? The answer is a resounding no.’
But that was practically the least of this show's issues. The recipient of a very rare zero star review, it was difficult to know where to start listing the flaws. The laughably leaden dialogue? The tedious veneration of wealth and consumption? The almost deliberate parade of cliches? Acting so poor they felt borderline spiteful? Suffice it to say “all of the above” and forget about this show again. However, a second season has been ordered, so we’re probably going to have to.
AKA Charlie Sheen
Given the restraining orders, domestic violence claims and fatherly shortcomings, it’s reasonable to say Charlie Sheen has been a bad boy. Not that you’d truly have known it from this multi-part docuseries which chuckled along at Sheen’s various episodes of self-destructive hedonism while failing to tell us a single thing we didn’t already know. Rather, it felt as if this volatile personality was being pandered to, so any sympathy this show might induce should be reserved for the people who have had to suffer close contact with this charismatic but flippant egotist.
The Iris Affair
Naturally we knew it was ridiculous from the get-go: a thriller about a AI known as Charlie Big Potatoes that could either solve global crises – or annihilate all of humanity. We persevered out of sheer love for its stars … but by the end, it felt like even they had given up trying. One barely cared when his character died, and the other ended up slicing Charlie with an axe … in painfully slow-motion. That's what you call giving up the ghost.
The Gangster Drama
Dodgy characters meeting in empty boxing gyms? A certain band's Firestarter jackhammering away in club scenes? The late 90s called and demands its gangland drama back.
In truth, that is unfair on the crime shows of the late 90s. Many look a little dated now, but at least they didn’t endure the ignominy of having to indulge baffling accents. But there were plenty of other problems. Mainly that it was just profoundly dull; a conflict over drug-selling territory between various cockney picaresques which felt a bit basic.
The Meghan Markle Series
Considering the extent to which she grinds the gears of certain performatively enraged commentators, it’s almost tempting to admire the Duchess of Sussex’s various forays into twee homemaking as deliberate statements. But then you watch them and are compelled to admit that actually, they might have a point. It’s like watching a lifestyle catalogue come to life; a poster for wine o’clock with delusions of grandeur; a procession of sleeping dogs, buzzing beehives, sentimental platitudes and forgettable crafting “hacks” you’ll forget instantly. All underpinned by immense, mostly undeserved wealth. Ugh.
The Beckham Documentary
There are obviously interesting things to be discussed about regarding Victoria Beckham and her journey with career, identity, self-worth. But for whatever reason, this three-part series chose not to say them. Rather, the viewing was like consuming a marketing catalogue. She obviously has good reason to resent what she describes as her “stern” image. But unfortunately, she failed to do herself any helps with this guarded non-event of a series.
The Game Show
It should have been the next big hit – except even more extravagant, with a glamorous star as a deceased benefactor and a well-known personality managing her estate. What more could you want? As players battled it out, there was plenty of betrayal and squabbling. But the rules quickly became bewildering: it’s still too confusing to detail what precisely was happening. Even more regrettably, we only saw glimpses of the star via filmed videos. The show ended up smelling of a programme that was straining desperately to emulate something far greater than it.
Too Much
How do you succeed a show that captured a generation? The expectation was enormous for this starry romcom about Jessica, a hopeful New Yorker who lands in London with a shattered romance. The lead actress seized the opportunity by the horns and was joyous to watch, embodying Jane Austen levels of romantic notions. But it was all very glossy and, paradoxically, was not enough. Plus, the sheer amount of famous friends involved felt uncomfortable.
The Sketch Show Return
Not good enough to be ‘uneven’.
Given the shrewd inclusion of gifted emerging comics, expectations were high. But unhappily, most of it didn’t land. A recurring sketch was a single joke stretched to a dry pulp but recurring in every episode. One star seemed too ready to slip into a well-known irate mode. The writing room sketches, in contrast, simply inspired the idea that they should probably have stayed in there a while longer.
The Knox Dramatisation
This retelling of the story of Amanda Knox was executive produced by Amanda Knox and pretty much exclusively showcased the perspective of Amanda Knox. So, while there undoubtedly is an compelling drama to be made about the tragic 2007 murder, this isn’t it. The material needed to be handled sensitively. Instead, the series laboured awkwardly to find the right tone, lumbering from oddly breezy, slightly stylised farce to ultimately, real-life horror. Complex? Perhaps. A total mess? Absolutely.
The Maths Genius Thriller
We admire the lead actor … but did we believe him playing the greatest maths genius since, a man so smart he’s on the verge of a discovery that could ruin society? No! This globe-trotting thriller about secret services spying on – and killing off – academics honestly got more absurd by the second. Formulaic nonsense.
The Bonnie Blue Documentary
This hagiography followed the content creator renowned for sexual exploits as she prepared for her biggest feat yet. What on earth would motivate her? What we craved was way more interrogation of her actual psychology, plus those of the men in the line. They could at least have spoken to the legendary mum who appeared to drag her son out of the queue. What we got was disturbing imagery and zero critical analysis of her infamy whatsoever. And to think, the documentary-maker has a young daughter too.